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Zoomorphism

Animal forms given to people, gods and objects, from prehistoric hybrid figures and ritual bronzes to jewellery and furniture.

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Giving animal form to people, gods and objects is one of the oldest habits in art. The Lion Man, carved from mammoth ivory about 40,000 years ago and found in a cave in southern Germany, stands upright with a lion's head. Shang-dynasty bronze casters in China shaped ritual wine vessels as owls, elephants and rhinoceroses, and covered others with stylised animal masks.

Later, animal form became a way to add character, menace or wit. René Lalique's Dragonfly Woman corsage ornament (c. 1897–98) sprouts wings and claws from a woman's torso in gold, enamel and gemstones. Max Ernst adopted a bird-headed alter ego, Loplop, who presides over his collages from around 1930. Contemporary designers push furniture toward creatures: the Haas Brothers make hairy, horned and many-legged pieces, and Nacho Carbonell builds seats that look like cocoons. Look for claws, beaks, horns and feet on objects that have no need of them.

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